Breaks

I think I need a bit of a break from the second book. I’m just struggling with it too much. It’s almost not fun anymore.

So I’m trying to write something new – maybe a short story? I’m thinking a rewrite of a fairy tale, as an exercise in writing, but I’m not sure which one. So many have been rewritten over and over – Cinderella and the Beauty and the Beast for example. And the Ugly Duckling has taken on many forms.

I thought I might take on something more obscure – like the French fairy tale about the baby goat that runs away from home not listening to its parents, gets sucked into trusting a wolf and gets eaten.

French fairy tales don’t have Disney endings.

And that might be a good thing. Often, we don’t get a happy ending every time. Or we have to work really hard to get it.

So what is your favorite fairy tale – and should it be rewritten for modern times?

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Naming conventions

I always have trouble naming my characters. I find myself using the same names over and over when I write, and sometimes I realize its the same character, just in a different situation, or even a different world altogether. So I go searching for a new name, one that is unique to them – and wind up making major rewrites because a change in name heralds a change in character.

In Magik and Dragons I tried to give my main character a regular name as she was supposed to be a regular girl. I didn’t want her to have something exotic – though others did. I wanted the reader to connect with her ordinariness – though as we found in the book, she was far from ordinary.

The book was written for kids in middle school, though I don’t know how many middle school readers have read it. I know some, and they didn’t tell me they had an issue with her name, but I struggled over it, and still do.

So now, in the second book, I have new characters. Which means new names. And I’m foundering once more. I think if I could nail the names, I could write them so much better. A name defines a character so much. It has to be perfect.

I’ve used baby naming sites (and books) to help me fingure out a name, but it doesn’t always help. I usually search on an aspect of character, and sometimes I find a wonderful name that gels and I have light bulb going off over my head. But most names are associated with good qualities. Try putting “blood sucker” in there or “torturer” and see what comes up.

So right now, I am working quite well with two characters I know, and sort of working well with two characters I only sort of know, until I can figure out their names.

I sure wish they could give me a hint.

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Second Book Struggle

Second books are harder than first books – or at least I’m finding that to be true. I had a wonderful outline for a trilogy when I published The Secret of Magik and Dragons. So why am I having so much trouble finishing the second book?

It took me years to finish Secret. But I thought, once done and published, that the process would get easier. That I’d get better as I continued writing.

I don’t even have the word count I want. I set a goal of 50,000 words (same goal I had for Secret) but am only at 45,000 words and I’ve reached the end of my story.

I’ve reread the manuscript a couple of times, and it follows my outline, but there are parts I’m not happy with. So I figured I’d rewrite them, make them better, get more words if necessary. But I’m stumbling. I’m adding large sections, and then it doesn’t flow with what comes next. So I delete and start again.

Should I rewrite the whole thing? Start from the beginning and take my characters down a different path? What about my outline and third book?

This isn’t the solution I want. Overall, the story is what I wanted, follows from book 1, and should go into book 3 smoothly.

Has anyone had this problem before (I am hoping this isn’t only me)? What did you do?

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Mushroom Houses

When I was a kid, I wrote stories. My mother still has some of them, in yellowed Hilroy (might be a Canadian thing) notebooks. One story was a fantasy about an elf and a pixie/fairy that went on an adventure. I even drew pictures on the pages, next to the extra neat printed words. One is a cute little mushroom house (where the elf lived). I think I had a little bit or artistic talent – which might be where my daughter gets her talent from.

Reading it now, it’s pretty good. I never finished it though. And when I go to the end, I was so disappointed. I wanted to keep reading to find out what happened.

What a cliff hanger!

Have you ever found an old story, started reading it, got into it, and then realized you never finished it?

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Writing Conference

I attended a writing conference this weekend, in Virginia Beach VA (here’s the web address if you might be interested in attending next year’s conference: http://hamptonroadswriters.org/).

I love attending these; you learn so much information.  Although sometimes, when you need to choose between four different session offerings, it can be tough to make a decision.  I attended sessions on POV (first person and using different POVs in the same story), writing flash fiction, and how to get your short story published.

Next month, I’ll be heading north to attend the SCBWI conference (http://www.scbwi.org// for more information), where I’ll be getting a critique of my first 10 pages of a new novel (and a new genre and age group.)

If  you’ve never attended a writing conference before, you should definitely consider it.  Not only do you get the opportunity to learn from those fellow authors, you get to listen to (and maybe talk to and pitch to) agents and editors share information on getting into the business.

There are lots of conferences out there, and many the writing organizations offer their own.  If you aren’t affiliated with an organization specific to your genre, check into it.  There is a world of help out there, if you tap into it.

Some writing organizations to get you started:

Hampton Road’s Writers:  http://hamptonroadswriters.org/

Society for Children’s Book Writers and Illustrators:  http://www.scbwi.org//

James River Writers:  http://www.jamesriverwriters.org/what-we-do/programs/the-writing-show

Romance Writers of America:  http://www.rwa.org/

Science Fiction and Fantasy Writers of America:  http://www.sfwa.org/

Horror Writers Association:  http://www.horror.org/blog/

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Chapter One from The Secret of Magik and Dragons

“The lad’s got talent, eh?”  The elderly villager remarked to his equally elderly neighbor.

“Ah-yup.”  The neighbor agreed, nodding so that his whole body rocked.

The “lad” hid her smile at the overheard comment.  Though used to being mistaken for a boy, Alex still felt a thrill every time the disguise proved itself true.  Two seasons past, she and Gwennie had resorted to begging in the streets; no one had wanted to see a “girl” perform magic.

But this young audience was enthralled. 

A snow-white rabbit hopped between the rows of seated children.  It was soon chased by a black kitten that appeared in an empty crate.  The children squealed in delight and inched closer and closer to the magic – and the magician – in front of them.

With a flourish, Alex pulled the bright yellow handkerchief away from her left hand, revealing a beautiful bouquet of … dry twigs.

Alex blinked at the “bouquet” in her hand and swallowed.  A shiver of ice ran down her spine and her fingers tingled.

Green buds of new leaves sprouted from the twigs, spreading out, growing.

Alex licked dry lips and stared at the leaves; she could not look at the audience.  The children made no noise, the elderly grandparents whispered, their hushed words incoherent.

The green leaves turned gold, red, brown; they wilted and fell to the ground.

The shiver receded; warmth flowed through Alex’s veins once more and she took a deep breath, filling her lungs with air.

She peeked at the crowd.

It cheered, the clapping loud and chaotic.

Bowing deeply, so that her short dark curls fell forward to cover dark gray eyes wet with tears, she ended the show to the satisfying clink of coins in the basket.

Alex tried to smile at Gwennie, but could not make her stiff lips curve upward. 

Gwennie winked back and then giggled like a young girl when an elderly man whispered something to her.

“Thank ye.  Thank ye so much.”  Gwennie curtseyed and held out the basket to reaching hands.  “Ooh, thank ye.  Yer most generous, ye are.” 

Alex turned her back to the crowd and packed her props away, tucking them into the large chest strapped to the underside of the small wagon that served as home and stage. 

A rainbow of only slightly faded colors beckoned the audience to the magic shows.  Swirls of orange, red and blue decorated the sides of the wagon, and flapped overhead in the stripes of the canopy and banners.

Gwennie had set up their camp just outside the village, the smattering of cottages and pens ringing the wall and inner keep of Baron Humphrey’s stronghold.  The keep, its single stone tower rising high above the wooden wall, was a forbidding sight.  But the village, with its squat stone and thatch cottages and winding streets, was welcoming.  The gates of the wall were flung open, and folks from near and far entered and exited unencumbered. 

Alex blinked away tears. 

Her last trick was supposed to be a bouquet of flowers that turned into a shower of petals over the children, not an unexplained bunch of dry twigs growing leaves that turned color and died.

Alex sighed and locked the prop trunk. 

Mistakes – whatever – however – they happened – happened a lot lately.

She walked to the gray mule that pulled their wagon.

“’Tis a beautiful day, Murray.  I’ll pick you some sweet clover and bring fresh carrots from the market.  We’ll feast tonight, that I promise.”  Alex patted Murray’s head.  He gently nuzzled her cheek in response, blowing soft, warm air down her neck.

Alex buried her face in the mule’s warm neck and let the tears fall.  She could not cry, not in public anyway, not with Gwennie still taking in coins and talking up the show.

She could not afford the good folks finding out that last trick was not planned.  That it was not a trick at all, but something else, something over which Alex had no control.

Alex wiped her eyes and nose into Murray’s neck, and then on her sleeve.  She put a smile on her face and forced a laughed.  She skipped toward Gwennie, who was still collecting coins, smiling and nodding at those still tossing money into the basket.

“We done good today.  Ooh-ay!  But we done good.  Twenty-five pieces at last count, and they’s still comin’ in.”  Gwennie grinned.  Her remaining teeth were yellowed, a couple of wide gaps showed where some had been knocked out.  Alex couldn’t remember ever seeing Gwennie with all of them.  Wrinkles creased her furrowed cheeks at the corners of her mouth.  “’Course, it’ll be less once we pay the taxes due on it, but we’d be payin’ taxes no matter’n what we brung in.” 

Alex no longer asked Gwennie how old she was; the answer was always the same.   Gwennie claimed to have long ago lost track of her age, but she could remember when Old King Solomon ruled. This was before his son, King Matthieu, had been given the throne, and it had been his grandson, King Edric, who had disappeared ten years hence.  The missing king had left his younger brother, Rolando, to rule, taxing the people nearly out of cottage and farm.  

Alex gave her a one-armed hug, her arm easily fitting over Gwennie’s stooped shoulders without bending or stretching.  Alex planted a kiss on the old woman’s graying temple, gently patting the tightly woven bun on the back of her head.

“I think I did well today,” Alex said.

“Ah-yup, ye did.  Ye did everything ye planned, no surprises like yesterday.”  Gwennie wagged a finger at Alex.

Alex flushed.  It seemed that even Gwennie did not realize that the twigs and leaves had not been planned.

Alex changed the subject.  “I’m off to the market.  I think we’ll celebrate our good fortune tonight.”

Gwennie giggled again.  “Just ye remember:  I love them sugared dates sold by that dark-skinned man in the end stall.”

“I’ll remember.”  Alex left with a quick wave to Gwennie and a slight bow to her lingering patrons.  She grabbed a deep basket from just inside the wagon door and ran off toward the village.

The guards at the gate smiled and tipped their heads at Alex.  Though they wore swords, the swords stayed in their scabbards, hung from wide leather belts.  The two men talked and laughed and joked.

Alex smiled in return, bowed, and entered the village proper.  A few goats and chickens wandered the wide main street and dodged the carts and wagons that rumbled past.  Men and women stayed to the sides to avoid the ruts and dung that marked the middle of the track.

The festival vendors were set up in the courtyard – the wide area outside the main doors to the keep.  A jousting ring sat outside the wall and matches were held each day of the festival.  Alex enjoyed watching the competitions.  She couldn’t wait to watch the final matches the following day.

The market was a throng of haggling vendors that plied their wares.  Pigs squealed and children laughed. The sounds blended with the clang of the blacksmith, the slap of the men curing leather, and the crack of the whip in the animal pens. 

Alex loved the market.  Spices from faraway lands mingled with the smell of fresh, hearth-baked bread.  Exotic fruits decorated the stalls, their brilliant colors as stimulating and imaginative as their fragrances.  Many-colored fabrics, some so thin you could see through them, others dense to keep out the weather, were displayed everywhere.  Silver, gold and copper glinted in the sun, nestled between rubies, emeralds and sapphires that seemed to glow from within in the sunlight.

Yes, at the market, silver jewelry, leather goods and the softest of silks were sold next to chickens and geese, pickled eggs and savory meat pies.

Alex weaved through the crowd. 

“Hello, handsome.”  A young girl, her face painted and her pale skin displayed in the deep vee of her dress, batted her heavily lashed eyes at Alex and ogled the heavy bag of coins that hung from her belt. 

Alex cleared her throat and spoke low.  “Hello.”  She bowed and kept moving.

“I can give you a discount.”

Alex turned back. 

The girl batted her lashes again and swayed her hips back and forth.

“Sorry, not interested.”  Head down, Alex pushed her way through the crowd, one hand holding secure to her gold.

Alex knew that it was only Gwennie and a talent for magical entertainment that had kept her from a similar fate.  Alex looked around at the young maidens hanging on the arms of young men; the young men purchasing trinkets and sweet meats for the young women, who laughed softly and batted their eyelashes playfully.  A small part of Alex, deeply hidden so that even Gwennie did not know about it, wanted to wear a skirt and bat her eyes at a young man. 

“Ahem!”

The icy voice came from a woman in a tall hat and thickly ruffled vest.  She carried a tiny dragon on her arm, a lead in her other hand attached to the gem-studded collar on its neck.

“Pardon me, ma’am.”  Alex bowed deeply and swept her hat from her head to touch the ground at the lady’s feet.  “I must pay better attention to where I wander.”

“Vagrants.”  The woman swept past Alex, and the little dragon sneered.  It panted, perched on the lady’s arm, showing crooked, pointed teeth.  “I must speak to Baron Humphrey about getting rid of them.  They taint the very air with their odor.”

Alex glared after the woman and her rat-sized basket dragon, and crushed her now-dusty cap back on her head.  It was time to concentrate on buying the wares she sought. She could not wait to get away from the market.

She bought the promised clover and carrots for Murray, and then the sugared dates for Gwennie. The foreign proprietor waggled his brows at the treat for Alex’s “sweetheart.”  Alex had to bow her farewell several times before making her escape. 

She also bought boiled quail eggs, and lamb and potato pies; a loaf of fresh dark brown bread, dotted with rich cheese and herbs; and a small pot of fresh, sweet butter.  The scents mingled and mixed, making her mouth water.  She wanted to get back to the wagon and eat.

Alex heard shouting just ahead.  The large crowd’s jeering and cheering announced that someone was protesting.  She wound her way through the throng of people, ducking a few flying fists.  She stopped near the front, close enough to hear without suffering permanent damage to her person.

A middle-aged man, dressed well enough that Alex decided he was either a successful merchant or a member of the Baron’s staff, stood on a small, raised platform.  “We must take a stance against these additional taxes!”

The crowd cheered.

“Baron Humphrey needs our support when he confronts King Rolando!”  The crowd cheered again.

“We must fight the tyranny of this present regime and bring equality back to our kingdom!”

The crowd roared its approval, arms waving and fists pounding the air.

“We must find out what happened to King Edric and Queen Alina.”  There was yet more roaring from the crowd; some even stomped their feet.

“We must prove that King Rolando is a usurper to the throne!”

The crowd began to push forward, and Alex decided that it was time to leave.  Holding her basket close, Alex made her way back through the crowd, once again ducking fists and dodging bodies. 

Looking back, the crowd completely surrounded the speaker and animated conversations were taking place on the fringe – Alex could see the moving mouths and the nodding heads, hear the occasional shout and slap on the back. 

So, Alex thought, Baron Humphrey was set against King Rolando.  Alex thought briefly that perhaps she and Gwennie should stay here, but dismissed it as quickly as the thought popped into her head. 

Her lips pursed, Alex hurried through the market, looking for the vendors she needed.  She no longer wanted to linger in the crowds. 

This festival had a good number of merchants and visitors, probably due to Baron Humphrey’s generous relaxing of King Rolando’s tax burden.  Alex smirked; she and Gwennie would be keeping a bit more of their take today than if they had collected it elsewhere.

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Defining the World

So what consitutes “fantasy”? Is it the dragons? The fairies? The magic?
I think all of these contribute, but more importantly than these, is that the story has a fantastical world. A world that is not the one we live in, but different. It can have magic. It can be on another planet. It can be exactly like the world we live in, except for one amazing exception (think the TV series Grimm or Once Upon a Time).
Though my current fantasy series takes place in a magical realm, with magic and dragons (and maybe other fantastical beasts), it is very similar to ours from another time. The basic rules of our world – gravity, the sun rising and setting, the seasons – are the same. And though there is magic in my fantasy world, not everyone has it, and those that do may not know it.
Take time when creating a fantasy world – set out the rules and parameters, and give it a bit more description than you would a “normal” setting – your reader needs to be able to see the world. To keep from overloading on description, save it for when something is different. Once you’ve introduced your reader, let their imaginations run away with it. Let them build the world in their own minds instead of dictating it to them. (I’m not saying I’m always successful in this, just that I try.)
I love the fantasy world I created in The Secret of Magik and Dragons. What is your favorite fantasy world – and why?

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Here I Am.

I’ve finally decided on a home for my blog, and it’s here at WordPress.com.  It took several false starts at several hosting sites, but this one turned out to be easy and professional-looking – and that is what I wanted.  I don’t need a full web site (not yet anyway).  Right now, you can purchase The Secret of Magik and Dragons through my publisher, DreamPunk Press (www.dreampunkpress.com).  So don’t forget to visit them on the web.

So here I am.  Join me when you can.  🙂

 

 

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